MASTIII 4 Fails to Deliver Consistent Laughs with Crude Humor
Bollywood comedy sequel MASTIII 4 has arrived in theaters with high expectations but delivers only occasional entertainment. The film continues the popular franchise but struggles to maintain the humor quality that made previous installments successful.
Plot Overview and Character Dynamics
The story follows three friends living in the United Kingdom who become dissatisfied with their married lives. Riteish Deshmukh plays Amar, who works at a zoo helping animals mate. Vivek Oberoi portrays Meet, an automobile industry professional, while Aftab Shivdasani appears as Prem, a doctor. Each character faces different challenges in their marriages.
The plot takes an unusual turn when the trio discovers their friend Kamraj, played by Arshad Warsi, has obtained a “Love Visa” from his wife. This fictional concept allows Kamraj one week of freedom for extramarital affairs while maintaining his marriage. The three main characters become fascinated by this arrangement and seek similar permissions from their own wives.
Execution and Creative Shortcomings
Director Milap Milan Zaveri attempts to create a laugh-a-minute comedy but falls short in execution. The screenplay, co-written by Farrukh Dhondy and Zaveri, contains few jokes that land effectively. Some dialogue does generate laughter in places, though reports indicate the Censor Board required modifications to certain lines.
Visually, the film maintains high production standards with appealing cinematography by Sanket Shah. The opening credits are particularly well-designed, and the pacing ensures no dull moments throughout the runtime. However, these technical strengths cannot overcome the fundamental weaknesses in storytelling and humor.
Humor Quality and Originality Concerns
The comedy in MASTIII 4 relies heavily on crude and recycled material. Critics have noted that a famous one-liner from the 2014 film MAIN TERA HERO appears in this movie without significant modification. This raises questions about the creativity and originality of the writing team.
Particularly problematic is a pre-climax scene involving toilet humor that many viewers may find distasteful. The predictable plot twist, similar to previous franchise installments, further diminishes the viewing experience. While some jokes do connect with audiences, the majority fail to generate the intended laughter.
Performance Assessment
Riteish Deshmukh delivers a sincere performance as Amar, demonstrating his experience with comic timing. Vivek Oberoi and Aftab Shivdasani occasionally become excessive in their portrayals but generally fulfill their roles adequately. The female leads, including Elnaaz Norouzi and Ruhi Singh, provide decent support without standing out.
Notable cameo appearances include Genelia Deshmukh, who makes a positive impression in her brief screen time. Tusshar Kapoor as Don Pablo Putinwa represents a missed opportunity, as his character had potential for greater comedic impact with better writing.
Technical Elements and Music
The musical components of MASTIII 4 fail to excite listeners. Songs like “Pakad Pakad” and “One In Crore” lack the catchiness expected from Bollywood productions. While well-picturized, the music doesn’t enhance the overall film experience.
Technical aspects show mixed results. The production design by Tajamul Ismail Shaikh and Anshita Manot creates a rich visual environment, and Avni Gumber’s costume designs are stylish. However, the visual effects by White Apple fall below contemporary standards, and the editing by Sanjay Sankla remains merely functional.
Box Office Prospects and Final Assessment
MASTIII 4 faces significant challenges in attracting audiences to theaters. The combination of weak humor, predictable storytelling, and excessive crude content limits its appeal beyond dedicated franchise fans. The film offers only sporadic entertainment moments amid generally disappointing content.
For investors and industry observers, MASTIII 4 represents a cautionary example of franchise filmmaking that prioritizes formula over quality. The weak box office prospects highlight the importance of fresh concepts and genuine humor in comedy productions. Moviegoers may find better entertainment options elsewhere this season.
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